Over the past year, the fashion world has been shaken up by a wave of new creative directors. Jonathan Anderson moved from his era-defining tenure at LOEWE to Dior. Matthieu Blazy left Bottega Veneta to succeed Virginie Viard at CHANEL. Louise Trotter stepped into Blazy’s shoes at Bottega, while Pierpaolo Piccioli left Valentino to bring his poetic vision to Balenciaga. Michael Rider returned to CELINE from Polo Ralph Lauren. That is a lot of change in perspective for the world of luxury fashion.
The new guard faces high expectations. None are household names yet—and that’s deliberate. These are designers’ designers, chosen for craft, pedigree, and vision rather than celebrity. Their mission: to meld brand heritage with modern craftsmanship, and to reinterpret storied houses for a new era. How, for example, will they translate CHANEL tweed, leather weaving at Bottega Veneta, or Dior’s iconic silhouettes? And, most crucially, how will they craft a vision of luxury that honors tradition yet feels boldly forward-looking—the essence of fashion itself?
Spectacle is no longer a requirement. Executives want collections that balance artistic identity with commercial savvy. Collections can be bold, beautiful, even designed to go viral—but they must sell. Younger consumers need to be romanced, and in-store experiences, curated edits, and exclusive capsule collections will play a key role in consumer acquisition.
It’s too early to say who will leave the deepest mark. But early celebrity custom dresses and standout debut collections hint at promise. In fashion’s ever-shifting world, only time—and the clothes—will tell.
Left: Jonathan Anderson | Dior, Photo by Peter White/ Getty Images; Middle: Matthieu Blazy | CHANEL, Photo by Victor Virgile/Gamma-Rapho/Getty Images; Right: Louise Trotter | Bottega Veneta, Photo by SAVIKO/Gamma-Rapho via Getty Images
Anderson’s cerebral, playful touch at LOEWE—surreal textures, sculptural accessories—is already arriving at Dior. His custom baby blue gown for Anya Taylor-Joy at the Toronto International Film Festival was unconventional yet elegant, pairing a tailored bodice with a folded, woven skirt that offers a fresh take on Dior’s New Look. His first Dior show debuted in October 2025 during Paris Fashion Week to great fanfare.
At Bottega Veneta, Blazy turned leather into couture and tailoring into voluminous art. His signature was on display this summer with two custom looks for Ayo Edebiri at the Venice Film Festival: a red gown inspired by vintage CHANEL and a creamy white suit with oversized, asymmetrical lines. His debut show at Paris Fashion Week in October 2025 didn’t disappoint.
At Lacoste and Carven, Trotter honed a sharp sportswear sensibility through elevated minimalism and architectural tailoring. She carried that precision to her debut look for Bottega Veneta: a custom strapless gown for Julianne Moore at the Cannes Film Festival. The sleek, jet-black fabric emphasized clean lines, while a long leather strap trailing from one shoulder nodded to the house’s weaving heritage. Her debut runway show took place during Milan Fashion Week in September 2025, where she leaned into Bottega Veneta’s signature intrecciato weaving technique created by the brand’s founders.
Known for contemporary grandeur and soaring romanticism, Piccioli has long adorned collections with eye-catching color and sweeping shapes. His past work reveals fluency in Cristóbal Balenciaga’s ladylike, voluminous silhouettes, and a similar affinity for lyrical charm through form and color. Piccioli’s first show was for Paris Fashion Week in October 2025, where he received a standing ovation.
Rider brought structure to Ralph Lauren’s relaxed polish and added fluidity to Oscar de la Renta’s refinement. His debut collection for CELINE during Paris Fashion Week in March 2025 offered a fresh take on Phoebe Philo’s venerated era. A clean palette of black, white, camel, and pops of red emphasized the slouchy, nonchalant silhouettes, while preppy touches—bootcut pants, oversized rugby shirts, scarves tied at the neck—reflected his Ralph Lauren heritage. Rider’s relaxed American glamour blends seamlessly with CELINE’s French insouciance—imagine Jackie O in 2025.
Left: Pierpaolo Piccioli | Balenciaga, Photo by Swan Gallet/WWD via Getty Images; Right: Michael Rider | CELINE, Photo by Ben Rosser/BFA